Category: Comics process

Still playing catch-up, in a way, after the 3 month layoff.  I’ve done pages of moon studies before.  But now I am a little more purposeful, because these studies are for pages I am actually about to draw: the gradual appearance of the face in the moon.  This page of sketches is not in the correct sequence.  I also took the opportunity to use black acrylic instead of India ink for the night sky.  I think I like the texture of it.

Here they are rearranged into a rough sequence (and I copied and pasted the clouds in, where necessary for the flow of it:)

It won’t be a strip like that in the final — though looking at it makes me consider whether it should be.  I’ll draw the final versions now, taking a little more care with the placement of the clouds, and making their shapes more consistent.  And lighten up those craters a bit, next pass.  Of

One thing or another led to another hiatus on this project — 3 months, this time.  MICE 2016, plus a big teaching job I had to prepare for in December, and travels.  Gingerly feeling my way back into the process here: going over old thumbnails and trying to remember which version I liked best.  It’s nerve-wracking to try and re-orient oneself in a project after this much time, so I am wrestling with a bit of anxiety.  A few loose character sketches, and then a couple of pencil version of page 4, which I had decided needed re-doing.  Happily, I now feel ready to proceed:

My first pass at page 4 was acceptable as a drawing, but I felt it lacked the drama I want for the sequence.  So I’m planning to force the perspective more, to feel the baby’ point-of-view, looking up…  and enlarge the moon.   Tried some little thumbnails:

But I really get a better idea by messing around with the actual image in photoshop, skewing the buildings and enlarging the moon.  Here;s a comparison of the two versions:

The chimneys are kind of messed up now, and the perspective isn’t exactly what it should be, and I think I won’t have the cloud overlapping the chimney like that… but compared side-by-side, I think the new way is better, much more dramatic.  So I will re-draw it with that composition!

“Inking” with black, white and gray acrylic.  Plus a little charcoal pencil.

A little white goache for the smoke… and done!

Well, I worry that I may have overworked the bricks and roof… so much patterning it looks like it has some kind of pox.  Not sure about that.  But I do start to feel like it, while the picture is fine on its own, it doesn’t have the impact I want.  I want to try it with a more forced angle and make the moon bigger, so you really feel it LOOMING over you (from the baby’s POV).

So… final version?  I don’t think so!!

It’s going to take me a while to make any progress though… other deadlines are really starting to get gnarly.

Penciled it out and begin the “inking,” though in this case the ink is black acrylic paint, plus charcoal for the clouds:

Still stealing little bits of time when I can.  I’m still fiddling with the page layouts.  I feel like I want an additional baby reaction image in there, to break up the 3 moon pages in a row in the latest thumbnail.  To keep the page count the same I’m pondering doing a panel page: 2 moon images on one page, with the clouds moving away from in front of  it:

Maybe.

But that’s jumping ahead.  I did a rough version of the fourth page:

Or is it better this way (digitally altered for now):

I think that composition gives a better feeling of the moon “looking down” at us.

(work interrupted for a few days by going to Small Press Expo in Bethesda.  When I come back and asses….)

Now I begin to question my composition of this spread.   Thinking in terms of the sort of “eye flow” that I usually take into account when laying out a panel page, I’ve been pretty convinced that the complementary angles between the 2 facing pages was crucial : 

But looking at it, I feel like this composition doesn’t actually work as well, in terms of feeling the 2nd page as the point-of-view of the baby on the first page.  Going back to an earlier sketch (but using the moon/clouds from this one), I think this works better:

I definitely think that in the bottom spread you feel much more that you are the baby looking up at that moon in the second page. The angle of the rooftops is how the baby would see it (unless she’s looking across the street).

I’m entering a time of the year where I usually find it hard to get much work done.  There’s MICE, plus a variety of other personal and professional distractions.

This past Friday, having been on a pretty good run with posting process/progress reports about “Lunatic,” I came to the end of the day without having done a single bit of work on the project.  With a process post in mind, I made myself sit down and do this little gem of a two-minute sketch for the next page:

If I hadn’t felt guilty about not posting, I might have done nothing that day!  So that’s something.

The next two days, I did nothing.